Banyan Moon by Thao Thai (Mariner Books, HarperCollins)
Although Tolstoy may have been wrong when he said “Happy families are all alike,” he was definitely amiss when he decided unhappy families were all different. Unhappy families universally share a crucial similarity that defines their status; they all conceal secrets.
Secrets fill every corner of the Banyan House, a crumbling mansion in Florida that Minh purchased long ago as a family home. There her daughter Huong took refuge from a dangerous husband, raising her daughter Ann in tandem with Minh, who quickly supplants Huong in Ann’s affections. From her earliest childhood, Ann has an adversarial relationship with her mother, much as Huong does with Minh. Only when Huong tells her daughter that her grandmother has died, does Ann leave her established adult life and return to the Banyan House, a place that no longer holds the woman whom she has always loved and trusted above anyone else.
She returns carrying a secret, one that she has yet to tell the man she thought she would marry, the one who has recently confessed to an act of infidelity. As her mother once did, Ann looks for a sanctuary in the Banyan House, but the child she brings with her is months away from being born.
This secret is swiftly uncovered by Huong, who’s determined to repair the prickly, damaged relationship that connects her with her daughter. United in the task of cleaning the Banyan House that Minh has filled with unused and unnecessary objects, the two women work under the oversight of an invisible observer, the restless spirit of the family matriarch. Slowly Minh discloses her secret, one that her family has never known. Huong and Ann are not descendants of the man they were taught to revere as their father and grandfather.
As a flood of secrets gradually comes to light, what begins as a run-of-the-mill beach book takes on a depth that’s surprising and puzzling. Although the subjects of greed, sibling rivalry, domestic violence, and the return to a hometown that no longer seems to fit have all been covered again and again in a multitude of novels, Banyan Moon carries an eerie magic that makes this all seem fresh, new, and riveting.
How does Thao Thai manage to pull this off? From the very beginning, with its cliched friction between the privileged wasp background of Ann’s fiance clashing against her own artistic and “exotic” life, this story carries a luster that pushes readers into its many different layers of story. Although Thai is a writer who doesn’t shy from well-worn descriptions that are perilously close to being threadbare, she has the gift of creating irresistible characters--and it’s Minh, Huong, and Ann who carry this novel. Each of their voices is distinctly different and they coexist without the slightest trace of unease. Their stories flow and interweave together, never feeling intrusive or inauthentic. Their lives flare into being, making the supporting characters seem almost nonessential and certainly pallid. The strength and complexity of their different personalities gives an edge to the end of this novel. Will these women be able to move beyond their history and their secrets, taking secure possession of what seems to be a happy ending?~Janet Brown